mraeclo

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	<title>mraeclo</title>
	<link>https://mraeclo.com</link>
	<description>mraeclo</description>
	<pubDate>Wed, 10 Jan 2024 19:01:09 +0000</pubDate>
	<generator>https://mraeclo.com</generator>
	<language>en</language>
	
		
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		<title>Home</title>
				
		<link>https://mraeclo.com/Home</link>

		<pubDate>Sat, 18 Nov 2017 03:28:22 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Home</guid>

		<description>
	

mraeclomedia art / digital performance

	
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		<title>Project Nav</title>
				
		<link>https://mraeclo.com/Project-Nav</link>

		<pubDate>Sat, 18 Nov 2017 03:28:23 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Project-Nav</guid>

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		<title>Boiling Mind 神楽坂セッションハウス // 2020</title>
				
		<link>https://mraeclo.com/Boiling-Mind-2020</link>

		<pubDate>Thu, 19 Nov 2020 16:47:53 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Boiling-Mind-2020</guid>

		<description>mraeclophysio-connected dance performance - 2020
Em performances de dança, uma parede invisível se forma na frente do palco, separando o público dos performers. 
Para amplificar a conexão entre artistas e espectadores, criamos a performance Boiling Mind, em que sensores foram utilizados para capturar dados biológicos do público presente: batimento cardíaco e atividade eletrodermal fizeram o público presente no palco, ao controlar diretamente elementos como projeção, som e iluminação. Desta maneira, o estado de afeto do público pode ser mostrado aos performers em tempo real, influenciando a performance. 
A peça foi performada 3 sessões ao vivo em Tóquio, um artigo sobre a experiência foi publicado na 15a International Conference on Tangible, Embedded and Embodied Interactions (TEI), 2021, e recebeu também o prêmio Accenture Interactive Award na 26a Campus Genius Contest.
Meu papel na performance e no artigo foi de colaborador geral e de designer do sistema de luzes da performance, concebendo e desenvolvimento os comportamentos e reações do sistema aos dados coletados dos espectadores.
In dance performances, an invisible wall separates audience and performers.
To amplify the connection made between artists and public, we created Boiling Mind, a performance where audience had their biological data such as heartbeat and electrodermal activity collected and used in real time to make them present on stage, by controlling elements such as projection, sounds and lighting. This way, the internal state of affect of the audience could be shown to the performers in real time, influencing the performance.The piece was performed in 3 live sessions in Tokyo, and a paper about the experience was published on the 15th International Conference on Tangible, Embedded and Embodied Interactions (TEI) 2021, having also received the Accenture Interactive Award on 26th Campus Genius Contest.&#38;nbsp;
My role was as a general collaborator and responsible of the performance lighting system, designing and developing behaviors for lights, according to data coming from the audience.http://boiling-mind.org/


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		<title>Argument Clinic 論証の不可能性 // 2022</title>
				
		<link>https://mraeclo.com/Argument-Clinic-2022</link>

		<pubDate>Thu, 16 Feb 2023 10:54:08 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Argument-Clinic-2022</guid>

		<description>mraeclointeractive installation - 2022

A nossa percepcão é o resultado do diálogo entre o sistema (nós) e o meio em que estamos inseridos. Quando o estímulo é indeterminado e/ou incompleto, nosso cérebro cria narrativas para transformar essa informação em algo plausível.Este trabalho explora o uso de embodied experiences para interferir neste diálogo, influenciando fatores internos e externos do processo de percepção.O nome foi inspirado em um sketch do grupo Monty Python, em que personagens discutem&#38;nbsp; sobre&#38;nbsp; assuntos bobos, impossíveis de serem resolvidos, que não levam a nada, similar ao público da instalação tentando decidir se a imagem está se movendo para a esquerda ou para a direita.&#38;nbsp;
What we perceive is the result of the dialog between the system ​(ourselves) and the environment. When we sense something which is indeterminate and/or incomplete, our brain needs to fill in missing information, creating narratives to accommodate sensory information into what it considers credible.
This installation explores the use of embodied experiences as a cue to influence perception, by influencing internal and external factors of the perceptual process.The name of the installation was inspired by a sketch by Monty Python, where silly discussions led to nowhere, similar to this works audience discussing if the image was going left or right.

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		<title>AM_PAR_SIS // 2017</title>
				
		<link>https://mraeclo.com/AM_PAR_SIS-2017</link>

		<pubDate>Sat, 18 Nov 2017 03:36:00 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/AM_PAR_SIS-2017</guid>

		<description>mraeclolive visuals - 3d scanning - 2017

E a luz da manhã? O Dia queimou
Cadê o dia? Envelheceu
E a tarde caiu e o sol morreu
E de repente escureceu
E a lua, então, brilhou
Depois sumiu no breu
E ficou tão frio que amanheceu


December 25, 2033.
Am_Par_Sis é o nome de um álgum do músico Sentidor que usa o legado do trabalho de Tom Jobim como uma provocação política imaginando o que aconteceria se Passarim - álbum de Tom Jobim - fosse redescoberto em uma versão futura do Rio de Janeiro, depois que as atuais revoltas políticas e sociais que o país vive se transformassem em guerra, deixando a cidade em ruínas.
As projeções durante o show de lançamento do álbum no SESC Palladium partiram de animações 3D feitas por Aag e do escaneamento 3D em tempo real do compositor, durante performance, construindo modelos baseados no personagem do diário que acompanha o álbum, e de montagens com imagens icônicas da cidade do Rio de Janeiro.

Am_Par_Sis is the name of an album by Sentidor that uses the legacy of Tom Jobim`s work as a political provocation imagining what would happen if Passarim - album by Tom Jobim - was rediscovered in future version of Rio de Janeiro, after a civil war caused by the social and political crisis in Brazil, leaving the city in ruins.The live visuals during the release concert in SESC Palladium, Belo Horizonte, were based on 3D animations made by Aag and real time 3d scanning of the musician during the performance, building models representing the character of the diary that comes with the album. It was also used images of iconic elements of the city of Rio.
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Photos by Flávio Charchar&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;</description>
		
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		<title>Pas de Deux // 2017</title>
				
		<link>https://mraeclo.com/Pas-de-Deux-2017</link>

		<pubDate>Sat, 18 Nov 2017 03:28:25 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Pas-de-Deux-2017</guid>

		<description>mraeclodance - virtual reality - 2017

Interatividade é um estilo de conversa concreta com a mídia. É a maneira que você dança com o computador - Jaron LanierO Pas de Deux é um trecho do ballet em que dançam somente duas pessoas. Inspirada na obra de mesmo nome, de Norman McLaren, esta instalação cria um espaço híbrido de dança física e virtual.O trabalho foi produzido no laboratório 1maginari0 e dançado por Flaviane Lopes. Após participação na residência artística Temp Studio a instalação conta também com a dança de Nadine Freisleben e ambientação sonora por Marco Accardi.&#38;nbsp;
Interactivity is a type of concrete conversation with the media. It`s the way you dance with the computer - Jaron Lanier
The Pas de Deux is a part of a ballet play when only two people dance. Inpired by Norman McLaren`s work of the same title, this installation creates a hybrid space for a duet dance between physical and virtual presences.&#38;nbsp;
The work was developed on 1maginari0 lab and danced by Flaviane Lopes. After participating on the residence Temp Studio, the installation also counts with the dancer Nadine Freisleben and sound ambientation by Marco Accardi.


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		<title>Corpografias // 2018</title>
				
		<link>https://mraeclo.com/Corpografias-2018</link>

		<pubDate>Thu, 19 Nov 2020 17:43:34 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Corpografias-2018</guid>

		<description>mraeclodance performance / mixed reality installation - 2018


Corpografias&#38;nbsp; em&#38;nbsp; dança&#38;nbsp; é&#38;nbsp; uma&#38;nbsp; ação&#38;nbsp; criativa&#38;nbsp; e&#38;nbsp; experiencial&#38;nbsp; entre&#38;nbsp; corpos&#38;nbsp; e&#38;nbsp; cidades, atravessada&#38;nbsp; pelas&#38;nbsp; tecnologias&#38;nbsp; digitais&#38;nbsp; e&#38;nbsp; que&#38;nbsp; gera&#38;nbsp; uma&#38;nbsp; composição&#38;nbsp; de&#38;nbsp; movimentos&#38;nbsp; e espacialidades –acidental,&#38;nbsp; casual,&#38;nbsp; errante,&#38;nbsp; por&#38;nbsp; vezes&#38;nbsp; harmônica&#38;nbsp; e&#38;nbsp; poética.&#38;nbsp; Trata-se&#38;nbsp; de um desdobramento artístico da pesquisa de doutorado que se tornou livro: Corpografias em Dança: da&#38;nbsp; experiência&#38;nbsp; do&#38;nbsp; corpo&#38;nbsp; sensível&#38;nbsp; entre&#38;nbsp; a&#38;nbsp; informação&#38;nbsp; e&#38;nbsp; a&#38;nbsp; gestualidade, agora recebendo o formato de instalação.

Texto de Graziela Andrade

Várias videodanças foram gravadas em diferentes lugares de Belo Horizonte, e reproduzidas dentro de cenas virtuais baseadas nestes locais. Os visitantes puderam visitar estes espaços através de óculos de realidade virtual, e se deslocar pelo espaco virtual ao andar pela galeria.

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Photos by Gilberto Goulart</description>
		
	</item>
		
		
	<item>
		<title>Ato I // 2021</title>
				
		<link>https://mraeclo.com/Ato-I-2021</link>

		<pubDate>Wed, 10 Jan 2024 19:01:09 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Ato-I-2021</guid>

		<description>mraeclointeractive installation - 2021Ato I é o nome da instalação interativa que deu boas vindas ao público da exibição celebrando os 50 anos do Palácio das Artes de Belo Horizonte.&#38;nbsp;
Ao entrar no espaço o público teve sua posição rastreada e eram seguidos por uma ou mais luzes de palco em uma experiência lúdica de sentirem como atores ou músicos no palco do Palácio.
Trabalho feito como membro do Estúdio Abstracto, em parceria com o MIR.
Act I the name of the interactive installation that welcomed the audience of the exhibition celebrating the 50th anniversary of 'Palácio das Artes', an event venue in Belo Horizonte, Brazil. 
When entered the space, the audience had its position tracked and were followed my one or more lights as a playful way of experiencing the feeling of being an actor or musician on stage.
This was done as member of Abstracto Studio, in partnership with MIR.&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/fd6a55447568d768266e5417c44ca21dbadd46f7cc8e768215e6789f3a083fce/IMG_5427.JPG" data-mid="201377593" border="0"  src="https://freight.cargo.site/w/1000/i/fd6a55447568d768266e5417c44ca21dbadd46f7cc8e768215e6789f3a083fce/IMG_5427.JPG" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/751c698155329ec8fedc1b49b8b75e8624095ed562b351e6d8dcf04ddcf719d3/ABSTRACTO_04-04-22-V20.png" data-mid="201377681" border="0"  src="https://freight.cargo.site/w/1000/i/751c698155329ec8fedc1b49b8b75e8624095ed562b351e6d8dcf04ddcf719d3/ABSTRACTO_04-04-22-V20.png" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/92ed8ad6b9b2138f4d15404603d57719cffff6ae7b93768e4e97df37b7b9ef4c/IMG_5376.JPG" data-mid="201377944" border="0"  src="https://freight.cargo.site/w/1000/i/92ed8ad6b9b2138f4d15404603d57719cffff6ae7b93768e4e97df37b7b9ef4c/IMG_5376.JPG" /&#62;
</description>
		
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	<item>
		<title>Corpo Circuito // 2018</title>
				
		<link>https://mraeclo.com/Corpo-Circuito-2018</link>

		<pubDate>Mon, 09 Jul 2018 23:57:16 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Corpo-Circuito-2018</guid>

		<description>mraeclointeractive installation and performance - 2018Experimento em grupo: instalação e performances interativas acerca do tema corpo e tecnologia.
Group Experiment: interactive instalation and performances around body and technology.

 &#38;nbsp;

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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;</description>
		
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	<item>
		<title>Não há ninguém perto de você // 2017</title>
				
		<link>https://mraeclo.com/Nao-ha-ninguem-perto-de-voce-2017</link>

		<pubDate>Sat, 18 Nov 2017 03:28:26 +0000</pubDate>

		<dc:creator>mraeclo</dc:creator>

		<guid isPermaLink="true">https://mraeclo.com/Nao-ha-ninguem-perto-de-voce-2017</guid>

		<description>mraecloaugmented reality - 2017


A geração millenial viciada em suas telas ganha um bom nome para suas próprias neuroses: geração screenage. O fenômeno da selfie, do constante uso do smartphone, o susto de sentir a ausência do peso no seu bolso. Em uma tentativa de criar alguma ruptura com esse uso passivo da tecnologia, esculturas virtuais são espalhadas pelo espaço, para vê-las é necessário participar da ação de massa, tirar seu telefone e ver o mundo através dele. O que vemos, então, é um retrato da nossa prória ação: jovens desconectados, e, paradoxalmente, se conectando através de suas telas... uma monotonia melancólica, malaise, atmosfera silenciosa.&#38;nbsp;
O trabalho foi feito em colaboração com Alporquia e foi apresentado na exposição de arte digital do I Simpósio Internacional de Subjetividade e Cultura Digital, na UFMG, que teve como tema corpo e virtualidade, e na exposição Xenon, no espaço Mama Cadela.&#38;nbsp;
The screen addicted millenial generation now has a name for its own neurosis: generation screenage. The selfie phenomenom, of the constant use of smartphones, the fright of not feeling the weight of your mobile in your pocket.&#38;nbsp;
As an attempt to create some rupture with this passive use of technology, virtual sculptures were created. To see them one must participate of the mass action, see the world through the smartphone. What you`ll see is a picture of you own action: disconnected people, watching and paradoxically connecting through screens... a melancholic monotony, malaise, silent atmosphere.&#38;nbsp;This work was made in collaboration with Alporquia and presented during the digital arts exhibition of the First International Symposium of Subjectivity and Digital Culture: Body and Virtuality, that took place in the Federal University of Minas Gerais, and at the Xenon Exposition, both in in Belo Horizonte, Brazil.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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